"I've been working on the screenplay of "The Sweet Bitterness of the Ripe Pomegranates" for a couple of years now and I really needed to see it "mirrored" - as tutors Franz and Francoise put it, into their eyes and those of the other participants. This has really helped me to step back and see what I need to prioritize in the story in order to wrap it up and move on to the next steps of early pre-production. After the workshop I feel inspired and energized, and I am truly grateful that Galichnik Film Festival is providing such a wonderful opportunity for filmmakers, already in their first year. I can only imagine what will become of it, once Covid-19 crisis is behind us and the festivals takes it's intended form in the legendary Macedonian village of Galichink. Good luck and thank you!"
"Even though I had been part of script doctoring initiatives, after the Script Circle with François and Franz I finally understood what it means to have worked with a script consultant. Or perhaps the better term would be a script therapist, because their deep and amazingly thorough reading of each of our scripts and then their very thoughtful, gentle and eloquent challenging of our most cherished darlings, I think really transformed each of us. In fact, I think that never before was I able to really hear and take in so many criticisms about my script and then now be excited to go and fix them. I think that I could go as far as to say that I simply cannot really imagine that there is a better way to aid a screenwriter than what François and Franz do through their Script circle. So most of all, I really feel immensely grateful to the festival and to the two of them for this experience, because I have that much more chance of making my film happen. "
"As I am selected for the Script Development Workshop, I had the chance of brainstorming on my and three other diverse scripts with two precious script consultants: Franz and François. I was really surprised how they managed to cover four of our scripts in details. They were really halprful on making us re-think on the details and it was a very fruitful workshop for me. I am thankful to Galichnik Film Festival crew for their efforts. I hope to physically take part in Galichnik in the following times! "
"The professionalism and expertise of the script consultants at the workshop was absolutely amazing; they even inspired me to consider pursuing an education in script consulting. But the best aspect for me was the methodology of the workshop - the analysis and group discussions among the tutors and the participants were very useful both for further development of my script and my general approach to audiovisual storytelling. I only wish it could have lasted longer!"
Abdullah Harun Ilhan - Turkey
Ivan Koroman - Croatia, Bosnia and Herzegovina
Andrej Volkashin - North Macedonia
Stasha Tomic - Serbia
Galichnik Film Festival announces an open call for application for the script development workshop for participants from Balkan Countries (Albania, Bosnia and Herzegovina, Bulgaria, Kosovo, Montenegro, North Macedonia, Croatia, Greece, Romania, Serbia, Slovenia, Turkey)
The 2-day workshop will be held during the first edition of Galichnik film Festival, which will take place from 29th and 30th August 2020. The workshop offers screenwriters the opportunity to work intensively on their feature scripts, under the guidance of script consultants: Franz Rodenkirchen and Françoise von Roy.
Candidates who are interested in the workshop should send the application including:
1. Synopsis
2. Full script
3. Author's note
3. Short resume
Deadline for application: 15 August 2020
Applications should be sent to: galichnikfilmfestival@gmail.com
All materials should be in English, submitted in PDF files.
The chosen participants will be notified by August 20.
For the selected participants, the program is free of charge.
Important notice: Due to Coronavirus traveling restrictions this year's workshop will be held online.
Pham Thien An, He was born on November, 1989 in Viet Nam. After 4 years of undergraduate majors in Information Technology degree at Lotus University, Ho Chi Minh city, he realized his interest in cinematography and film making. He also has won some film awards in Viet Nam and especially won the 48 Hours Film Project HCM in 2014. These aw
Pham Thien An, He was born on November, 1989 in Viet Nam. After 4 years of undergraduate majors in Information Technology degree at Lotus University, Ho Chi Minh city, he realized his interest in cinematography and film making. He also has won some film awards in Viet Nam and especially won the 48 Hours Film Project HCM in 2014. These awards gave he a strong motivation to keep moving forward. In 2015, he moved to Houston, Texas and continued working as a freelance filmmaker since then. His latest short film, The Mute (2018), was screened as World Premiere at Palm Spring International Shortfest.
A girl tries to find the answer about love before her big day, in a rainy night
BEST FICTION SHORT- “A story superbly acted and told, in terms of storytelling as well as the way the cinematic form used, pushed, exercised. We loved the silence and the minimalistic use of the cinema language, all there to intensify the experience. The film deals with important society issues: modernity crashes against tradition and exp
BEST FICTION SHORT- “A story superbly acted and told, in terms of storytelling as well as the way the cinematic form used, pushed, exercised. We loved the silence and the minimalistic use of the cinema language, all there to intensify the experience. The film deals with important society issues: modernity crashes against tradition and expectations upon the individual, it reminds us that the world keeps on involving moving against all odds.”
Carol Nguyen is a Vietnamese-Canadian filmmaker based in Montreal. Carol is a TIFF Share Her Journey ambassador, an Adobe Creativity Scholar and a 2018 Sundance Ignite Fellow and an Adobe Creativity Scholar. Today, Carol is continuing her passion for filmmaking at Concordia University.
Filmmaker Carol Nguyen interviews her family to craft a portrait of love, grief and intergenerational trauma.
BEST DOCUMENTARY SHORT “It takes a lot of courage to talk about stories that are repressed and left untold especially when they affect the whole family. It takes courage to film your own family, to strip their souls in front of the camera, and to continue filming no matter how much it hurts. Usually the closest once becomes the most dist
BEST DOCUMENTARY SHORT “It takes a lot of courage to talk about stories that are repressed and left untold especially when they affect the whole family. It takes courage to film your own family, to strip their souls in front of the camera, and to continue filming no matter how much it hurts. Usually the closest once becomes the most distant to us and that is why this documentary is important, to remind us that we should talk to our close ones, no matter how much it hurts because it hurts more if things remain unsaid..”
Separated from its glacier, a curious icebeg drifts with the currents. He then discovers with fear and surprise a world as majestic as it is tormented.
BEST ANIMATED SHORT “This was the only award that the jury unanimously awarded. You just watch the animated film and it melts your soul. A film that is important because of the way it is made, the beautiful style of animation that is a counterpoint to the difficult topic it deals with, and above all the topic that creates great sadness an
BEST ANIMATED SHORT “This was the only award that the jury unanimously awarded. You just watch the animated film and it melts your soul. A film that is important because of the way it is made, the beautiful style of animation that is a counterpoint to the difficult topic it deals with, and above all the topic that creates great sadness and in a subtle way reminds you that man is not above nature. "
Born in rural Quebec, Alexandre Dostie is a self-taught artist with a unique background. Published poet, booze-bruised punk singer and filmmaker, his first short narrative fiction, Mutants (2016) screened in over 100 festivals and won numerous awards, including Best Canadian Short at TIFF. The film was also released as a Vimeo Staff Pick
Born in rural Quebec, Alexandre Dostie is a self-taught artist with a unique background. Published poet, booze-bruised punk singer and filmmaker, his first short narrative fiction, Mutants (2016) screened in over 100 festivals and won numerous awards, including Best Canadian Short at TIFF. The film was also released as a Vimeo Staff Pick Premiere, gathering close to 700K views. I’ll End Up in Jail (2019), his latest offering, already screened at TIFF, Sundance, Clermont-Ferrand and Tampere. The film was named “Best Int. Short Film” by the Vimeo programing team on their unofficial Sundance jury awards. Alexandre is currently working on his debut feature, SHAPE.
Maureen Sauvageau's escape comes to an abrupt end when she drives’s her monster truck into a deadly car accident. Stuck in the middle of nowhere, she must share the company and the blame of a rather touching junkie dubbed Jelly the Loon.
SPECIAL MENTION “The well-chosen cast, the determination of Maureen's character along with the impressive photography makes this film super exciting to watch.”
Diana Galimzyanova is a filmmaker and video artist based in Moscow, Russia. Her award-winning short films were accepted to more than seventy festivals in twenty countries, and her art pieces have been a part of group exhibitions in multiple countries. Her award-winning debut feature film, the first ever female-directed Russian film noir
Diana Galimzyanova is a filmmaker and video artist based in Moscow, Russia. Her award-winning short films were accepted to more than seventy festivals in twenty countries, and her art pieces have been a part of group exhibitions in multiple countries. Her award-winning debut feature film, the first ever female-directed Russian film noir with reverse chronology, The Lightest Darkness is now available on VOD. She is now working on her next project, a horror-comedy Murder Girl.
Follow Murder Girl, a serial killer blogger while she wanders through the Russian flea market in search of a new knife.
SPECIAL MENTION “We loved the humor, the intelligence and the reflection on the current tendencies the film touches upon: the world of internet expectation, the blogger celebrity culture, the virtual world positioned against reality, the common woman and man, their needs and envies. We appreciated the freedom the director takes in mixing
SPECIAL MENTION “We loved the humor, the intelligence and the reflection on the current tendencies the film touches upon: the world of internet expectation, the blogger celebrity culture, the virtual world positioned against reality, the common woman and man, their needs and envies. We appreciated the freedom the director takes in mixing the genres. Is it a fiction or a documentary-that is the question: a fiction we say!!”
TEONA STRUGAR MITEVSKA
Macedonian born, started as a child actor, trained as a painter and graphic designer and studied film at NYU-Tisch School of Arts. She directed her first short, VETA, in 2001, and has been making films ever since: HOW I KILLED A SAINT, 2004; I AM FROM TITOV VELES, 2007; THE WOMAN WHO BRUSHED OFF HER TEARS, 2012; TERESA AND I, 2013; WHEN THE DAY HAD NO NAME, 2017 and most rec
DINA DUMA
Born in Skopje, Macedonia, in 1991. She graduated from the Faculty of Dramatic Arts in Skopje in the department of Film and Television Directing in 2014. Her most recent short films ELENA (2016) and THEY COME FROM THE CENTER OF THE WORLD (2017) premiered at the Festival du Nouveau Cinéma in Montreal.
Dina participated in Berlinale Talents in 2016.
She is currently in post-production with h
NAUM DOKSEVSKI
is a Macedonian cinematographer who has shot over 20 short films including the 2018 Sundance – Short Filmmaking Award and 2017 Manaki Brothers - Small Golden Camera 300 winning short film, “Would You Look at Her” and the Sundance 2020 Short Film Grand Jury Prize nominee “Sticker”.
Doksevski has also shot numerous seasons of television series and documentaries.
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